Thursday, April 25, 2019

Discuss Jean Baudrillard's theory of The society of the Simulacrum. Is Essay

Discuss Jean Baudrillards theory of The parliamentary procedure of the Simulacrum. Is pictorial mattergraphy single of its mechanism or one of its casualties - Essay ExampleFurthermore, these images have influence on us and our perception. It is not easy to answer directly the question Is photography one of its mechanisms or one of its casualties This paper will try to approach both sides of the issue considering the place of photography and images take in Jean Baudrillards theory of simulacrum it will also give examples and scenes illustrating the key-point situationors concerning photography in the theory. It will foster to understand Jean Baudrillards theory of the society of the Simulacrum and approach to the answer.2. Jean Baudrillard gave its own sense of the endpoint simulacra. He explained that this term means hyperreality which takes place while we live and learn the world around us through photography and other optical images Baudrillard claims that our society has re placed all reality and meaning with symbols and signs, and that in fact all that we know as real is actually a simulation of reality. The simulacra that Baudrillard refers to are signs of culture and media that prepare the reality that we perceive (5). Almost all that we see and know about the world and people is taken by us through visual images created by media and contemporary technologies. Photography also plays a actually important role for our world perception. But photography has its own specialities for an observer The photograph reproduces what only happens once. It repeats automatically what will never be repeated existentially. In it, the event doesnt transcend itself into something else (3). An observer has no might to see an event reflected on photography in action. It reflects reality of events which are already gone. So, a photo picture is not real for us. So, it is related to Jean Baudrillards theory of simulacrum as unreal world. Photography, as well as some ot her images which bring us visual information, is the imprint of a historic event made by technical means, and has no real relation to the present The photography, the film, the novel, the art proclaim since the 19th century of this emergence of the object, of objects in their matter-of-factness, in their nauseous banality, in their hostile technicity (3).An operator do a snap bean is a part of the mechanism. He plays an active role in transforming reality into visual images. He stops the instant he is a moderator of the process. And his function of reality reflecting comes to an end when a snapshot has been done. So, he is not a part of this reflected reality In any case, the operator has to disappear at the same time as he makes his object disappear. This is a part of the magical illusion of the photography. constitute you noticed that God is absent from all photographs And why is He absent Because Himself is the photographer (3). So, Jean Baudrillard makes

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